'…do audiences switch to a different time frame, so to speak, when they enter the space of an art house cinema? Do they expect the pace of a film to be slower if they are watching an art film, bracing themselves for “boredom”? Can boredom, like slowness, be a pleasure that some audiences deliberately seek?'
- Song Hwee Lim, Tsai Ming-liang and a Cinema of Slowness, Honolulu: University of Hawai’i Press, 2014, p.29.
Leslie Gore’s b-sides, maker’s mark and the void.
I love u